.....Highest rating. Deserves to be considered a classic.

½ ...Very good. The movie greatly entertains or greatly moves me on a personal level.

......Good. It is a solid, enjoyable film.

½ ......I like the movie, but can't muster strong feelings for it.

..........I dislike it, but can't muster strong emotions against it.

½ .........Terrible, but not hateful. May have cult appeal.

BOMB ....Lowest rating. The movie is offensive, inept or both.

Titles in bold indicate first time viewing.

Academy Award Winners

2/1 Scared Straight! (1978, Arnold Shapiro)  

(Best Documentary)  

2/2 Wings (1927, William A. Wellman)  

(Best Picture, Best Effects)  

2/3 The Broadway Melody (1929, Harry Beaumont)  

(Best Picture)  

2/3 Cimarron (1931, Wesley Ruggles)   ½

(Best Picture, Best Adapted Screenplay, Best Art Direction)  

2/3 Grand Hotel (1932, Edmund Goulding)  

(Best Picture)  

2/4 Mutiny on the Bounty (1935, Frank Lloyd)   ½

(Best Picture)  

2/4 Marjoe (1972, Howard Smith, Sarah Kernochan)  

(Best Documentary)  

2/4 The Great Ziegfeld (1936, Robert Z. Leonard)  

(Best Picture, Best Actress- Luise Rainer, Best Dance Direction)  

2/5 The Life of Emile Zola (1937, William Dieterle)  

(Best Picture, Best Screenplay, Best Supporting Actor- Joseph Schildkraut)  

2/6 With Byrd at the South Pole (1930)  

(Best Cinematography)  

2/7 Cavalcade (1933, Frank Lloyd)   ½

(Best Picture, Best Director, Best Art Direction)  

2/8 Mrs. Miniver (1942, William Wyler)  

(Best Picture, Best Director, Best Screenplay,  

Best Cinematography, Best Actress- Greer Garson,  

Best Supporting Actress- Teresa Wright)  

2/9 Tempest (1928, Sam Taylor)  

(Best Art Direction)  

2/10 The Best Years of Our Lives (1946, William Wyler)  

(Best Picture, Best Director, Best Screenplay,  

Best Actor- Fredric March, Best Supporting Actor- Harold Russell,  

Best Editing, Best Music Score)  

2/10 All the King's Men (1949, Robert Rossen)  

(Best Picture, Best Actor- Broderick Crawford,  

Best Supporting Actress- Mercedes McCambridge)  

2/11 Hamlet (1948, Laurence Olivier)  

(Best Picture, Best Actor- Laurence Olivier,  

Best Art Direction, Best Costume Design)  

2/11 An American in Paris (1951, Vincente Minnelli)   ½

(Best Picture, Best Screenplay, Best Music Score,  

Best Cinematography, Best Art Direction, Best Costume Design)  

2/11 The Greatest Show on Earth (1952, Cecil B. DeMille)   ½

(Best Picture, Best Screenplay)  

2/12 From Here to Eternity (1953, Fred Zinnemann)   ½

(Best Picture, Best Director, Best Screenplay,  

Best Supporting Actress- Donna Reed,  

Best Supporting Actor- Frank Sinatra,  

Best Cinematography, Best Editing, Best Sound)  

2/12 Best Boy (1979, Ira Wohl)  

(Best Documentary)  

2/12 White Wilderness (1958, James Algar)   ½

(Best Documentary)  

2/13 Around the World in Eighty Days (1956, Michael Anderson)  

(Best Picture, Best Adapted Screenplay, Best Cinematography,  

Best Editing, Best Music Score)  

2/14 The Private Life of Henry VIII (1933, Alexander Korda)  

(Best Actor- Charles Laughton)  

2/16 The Awful Truth (1937, Leo McCarey)   ½

(Best Director)  

2/17 Pygmalion (1938, Anthony Asquith, Leslie Howard)   ½

(Best Screenplay)  

2/18 The More the Merrier (1943, George Stevens)  

(Best Supporting Actor- Charles Coburn)  

2/19 The Bridge on the River Kwai (1957, David Lean)  

(Best Picture, Best Director, Best Adapted Screenplay,  

Best Actor- Alec Guinness, Best Cinematography,  

Best Editing, Best Music Score)  

2/19 Gigi (1958, Vincente Minnelli)   ½

(Best Picture, Best Director, Best Adapted Screenplay,  

Best Cinematography, Best Editing, Best Costume Design,  

Best Art Direction, Best Song, Best Music Score)  

2/19 Separate Tables (1958, Delbert Mann)   ½

(Best Actor- David Niven, Best Supporting Actress- Wendy Hiller)  

2/20 Ben-Hur (1959, William Wyler)  

(Best Picture, Best Director, Best Cinematography,  

Best Actor- Charlton Heston, Best Supporting Actor- Hugh Griffith,  

Best Art Direction, Best Costume Design, Best Special Effects,  

Best Editing, Best Music Score, Best Sound)  

2/20 Who are the DeBolts? And Where Did They  

Get Nineteen Kids? (1977, John Korty) ½

(Best Documentary)  

2/20 Pillow Talk (1959, Michael Gordon)   ½

(Best Screenplay)  

2/21 The Brave One (1957, Irving Rapper)  

(Best Story)  

2/22 The Apartment (1960, Billy Wilder)   ½

(Best Picture, Best Director, Best Screenplay,  

Best Art Direction, Best Editing)  

2/23 Joan of Arc (1948, Victor Fleming)   ½

(Best Color Cinematography, Best Costume Design)  

2/24 Murder on a Sunday Morning (2001, Jean-Xavier de Lestrade)  

(Best Documentary)  

2/25 Born Yesterday (1950, George Cukor)  

(Best Actress- Judy Holliday)  

2/26 Tom Jones (1963, Tony Richardson)  

(Best Picture, Best Director,  

Best Adapted Screenplay, Best Music Score)  

2/27 The Sound of Music (1965, Robert Wise)   ½

(Best Picture, Best Director,  

Best Music Score, Best Editing, Best Sound)  

2/28 A Man for All Seasons (1966, Fred Zinnemann)  

(Best Picture, Best Director, Best Adapted Screenplay,  

Best Actor- Paul Scofield, Best Cinematography, Best Costume Design)